A Few Words Of Gratitude...

If I tried to thank everyone that deserved it during the Eclipse Awards broadcast, they’d play me off with impunity, and rightfully so. That said, earning the highest North American year-end honor for a turf writer is not a feat that’s done alone, and I want to make sure those contributions receive their due notice.

But first, a couple (brief, I promise) stories…

The first winner I ever picked at the races was an Arabian at Mount Pleasant Meadows named Fast Dance. I was five years old and I liked the name. The memory of sitting next to my Grandpa Murphy in the grandstands as he taught this future degenerate how to read the program was my first vivid recollection of being at a racetrack.

That said, my first recorded memory came two years earlier, when my grandpa’s star runner – and future cornerstone of his broodmare program – Janies Echo won an allowance race at the same track. My grandma held on to me as I looked at the mare instead of the photographer.

In both situations, I was surrounded by family in a place that would become the backdrop for love, learning, and lots of crazy stories that I was fortunate enough to experience and look back upon with fondness.

Janies Echo 7-15-1990.jpg

Fast forward a couple decades, and I was a twentysomething about to leave home to start my first full-time job with Thoroughbred Times in Kentucky.

The track that produced my first memories in the sport had become my training ground as I wrote for my blog, The Michigan-Bred Claimer and develop the skills to land precisely the job I was leaving to do. I’d become great friends with so many people at the track, but it didn’t truly sink in how much that friendship meant until my last day there as a Michigan resident in 2011.

I stayed at the track long after the live races had concluded, partially because I wanted to place some simulcast bets, but mostly because I wasn’t ready to leave. When I did decide to call it a night, I was sent off with a round of applause from the remaining horsemen and horseplayers in the Winner’s Circle Lounge. I clutched my camera in my hand and thrust it in the air as I exited into the dark parking lot and into the next chapter of my life. There just aren’t that many racetracks where that’s going to happen, but I was fortunate enough to be from one of them. It remains one of my most treasured memories.

As I walked down the stairs that night, I made a promise to myself to bring an Eclipse Award back to Michigan, to Mount Pleasant Meadows, to make good on the investments of time, energy, and expertise its residents put into me over the course of decades; and to make the people proud who held up a wobbly toddler in that first win photo. I wish there were a track to bring it back to – MPM or otherwise – but I hope I’ve adequately held up my end of the deal for the people that would have been there.

This story took over five years to write, from the first brainstorms when the track closed in early 2014 to finally hitting “send” on the final draft this summer. I worked on it over nights and weekends, in airports and restaurants. It was both my hobby and my obsession in that time, and I had a lot of help along the way.

I owe gratitude to so many for getting to a point in my life where I can make a living writing about horse racing, whether I’d won an Eclipse or not. The statue at the end of the trail is as much a celebration of their achievements as it is for mine.

-  My parents, Tom and Lynette Nevills, for first introducing me to the racetrack, and taking me there again, and again, and again, from Muskegon to Mount Pleasant, and all over the country. Perhaps most importantly, for nurturing my passion for horse racing, being tireless editors and listeners, and permitting me to chase my dreams instead making me go out and find a real job. I can never fully repay them for all they’ve done to help me become the person that I am, but hopefully this can at least work toward the interest.

- My family, on both sides, for teaching me about the sport and supporting my desires to be a part of it, from the first time I looked over at Janies Echo in the winner’s circle.

- My wife, Natalie Voss, for being my most trusted and patient confidante and sounding board. She is the writer I want to be when I grow up, and her keen eye and blunt-force editing sharpened the story into what it needed to become to really stick the landing. She makes me a better writer and a better person every single day.

- Nate Funnell, Lee Gates, and Scott Csernyik for being open, willing subjects to tell their stories in words and pictures – not only for this piece, but throughout our time at Mount Pleasant Meadows.

- Ray Paulick for giving the green light to a 6,000-word story about a long-dead bullring in the middle of nowhere. Also, and most importantly, for plucking me out of the unemployment line at a time when I was unsure if there was still a full-time place for me in turf writing.

- Scott Jagow for editing the piece and giving the ending the extra “pop” it needed.

- Rick McCune for picking up the baton from my grandpa in teaching me about the horse racing business on every level from the farm, to the track, to the state capital. Learning under Rick gave me a complete education – and countless stories from the road. The next breakfast at Beardslee’s is on me.

- Michigan’s racing community at large, for providing me with a nurturing – and incredibly patient – environment for me to develop skills, ask questions, and get access and opportunities that would have taken worlds more effort – and probably worlds more corporate pushback – in a larger jurisdiction. Across tracks and across breeds, I was invited in with open arms, and I hope this piece and the ensuing Eclipse Award have done your stories justice.

- The braintrust of people kind enough to read and offer feedback over the course of the story’s many drafts, including Andrew Champagne, Alicia Hughes, Nicole Russo, and Emilie Evenson.

- Ed DeRosa for giving me my break in the turf writing business on multiple occasions, and instigating so many of the good things that have stemmed from it.

- Stephanie Ruff and Don and Bobbi Patscheider of Arabian Finish Line for allowing me the platform to wax poetic about Mount Pleasant – and anything else that caught my attention – in my “Making Claims” column. That freedom allowed me invaluable space to figure out my voice for moments like this story.

- Our cat/alien companion Oreo, who sat with me for countless hours of writing and revising the story, swinging between wide-eyed admiration and flat disapproval – both key elements in the management of a writer. He was in my lap when I filed the final draft of the story. I wish he was still around to share in this.

- John K. Samson, a Canadian singer/songwriter with whom I’ve never met nor been in contact. “Biting the Dust” was on the back burner for months, its writer lacking the time and inspiration to get it over the line, when I heard The Weakerthans’ “Tournament of Hearts.” The song detailed an Alberta curling bar with such care that I could picture Mount Pleasant’s Winner’s Circle Lounge in its place. This led me to revisit the simulcast bar in my mind and fill in the scenery in the story. Then, things got rolling again, and Samson’s songs were played on repeat throughout the process.

Here’s the song if you’d like to hear it. https://www.youtube.com/watch?v=ZYWkUeFYzl4

While we’re on the subject of music and this story, I made a Spotify playlist as a companion piece to “Biting the Dust” if you want something to set the mood as you read. That can be found here. https://open.spotify.com/playlist/5jyGMjo1lV9n0WxOpV2Dqz?si=YAVQ3YZKSTeJp2F0H4yFcg%E2%80%AC&fbclid=IwAR2VsNjfVVDa_ArrtSIoEQEjd40nnjYueK5-I5e9g1CjrQotaG7yd_5LFIc

- You. If you’re reading this right now, there’s a good chance you’ve supported me or this story at some point on the road; whether it was providing guidance, companionship, or inspiration; or if it was something as small as clicking on the story to boost its reader count, reading the story, or sharing it online. Each and every one of you helped the story – and myself – grow into what we are today.

This story would have been impossible to pull off without the full combination of everyone listed above and many more. You have all helped the dreams of a racing-crazy kid from Edmore, Michigan come true, and – like a Sol Kumin runner – you’ve all got a little piece in this thing. Thank you all, now and forever.

Nevills Wins 2019 Media Eclipse Award For Feature/Commentary Writing

The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2019 Media Eclipse Awards.

Feature/Commentary Writing – Joe Nevills

This is the first Eclipse Award for Joe Nevills, of Georgetown, Kentucky, who has been the bloodstock editor of the Paulick Report since 2018, and prior to that was a reporter for Daily Racing Form and the Thoroughbred Times. Nevills’ wife, Natalie Voss, won an Eclipse Award for News/Enterprise writing in 2016.

“It’s just one of those things you dream of doing, like hitting a Grand Slam to win Game 7 of the World Series,” Nevills said about winning an Eclipse Award. “This is something I’ve always wanted to accomplish and never expected, but this one was very personal for me. I had been working on this story for five years, since the track closed."

In “Biting The Dust: A Long Goodbye to Mount Pleasant Meadows,” Nevills tells the story of the demise of a small mixed-breed track in central Michigan through the eyes of trainer Nate Funnell, jockey Lee Gates, track announcer and marketing director Scott Csernyik, and through his own personal recollections of a place where he learned and enjoyed horse racing beginning with his family at age four. He had revisited the closed grounds several times since it was shuttered, and he was able to finally complete his story this year.

“I wanted to write a John Mellencamp song about horse racing, without the music: Give a spotlight to blue-collar horse people on the small circuit that made me,” Nevills said. “I like to write things that I'd have liked to read when I was young, looking through magazines for whatever I could find about my home circuit. The entire Michigan racing community has had my back since I started writing about the sport. They've been instrumental in teaching me about the industry, even today.” 

Opened in 1985, Mount Pleasant Meadows in Mount Pleasant, Michigan, experienced just a few good years of racing, damaged by an ever-growing list of internal and political obstacles, before closing in 2013. And yet, in describing the run-down conditions of the track he revisited several times, Nevills revealed the strength and joy of those who worked there.

“Even at its loudest, Mount Pleasant was a good place for people who liked to hear what was going on: the sound of jockeys smooching and barking to urge their mounts, then explaining themselves to the trainers afterward; the gate crew pleading with the starter to keep his thumb off the button; and the occasional trash talk between people on horseback.

This was especially true around the paddock, where horsemen and revelers shot the breeze between races over a flimsy chain-link fence. The sternly-worded sign warning folks with racing licenses against chatter with the outside world, hung by the state's racing commission, might as well have been written in Cantonese.”

Nevills is a native of Edmore, Michigan, attended Montabella High School, and graduated from Central Michigan University.

The winning feature/commentary article can be accessed here: https://www.paulickreport.com/news/ray-s-paddock/biting-the-dust-a-long-goodbye-to-mount-pleasant-meadows/

Judges in the Feature Commentary category were Tom LaMarra, Director of Communications for the Maryland Thoroughbred Horsemen’s Association and Managing Editor of THAracing.com; Myra Lewyn, turf writer, editor, and publicist with four decades devoted to the coverage of Thoroughbred racing and Dan Liebman, former editor of The Blood-Horse as well The State-Journal in Frankfort, Kentucky.

My Final Arabian Finish Line Column (For Now)

If you haven’t seen the news, Arabian Finish Line announced it has suspended publication due to a variety of factors.

The magazine did a lot for me personally and professionally over the near-decade that I wrote for it, and when editor Stephanie Ruff informed me a while back that the next issue of the Finish Line could be the last, I wanted to make sure what could be the final installment of my “Making Claims” column hit its mark. Now that the issue is looking unlikely to see the light of day, I got permission from Stephanie to share what would have run.

If and when Arabian Racing’s foremost publication comes back, I will take great pride in being there to write for it. Until then, here’s one for the road…

———

Joe with Arabian Finish Line editor Stephanie Ruff at Churchill Downs

Joe with Arabian Finish Line editor Stephanie Ruff at Churchill Downs

It’s hard to find things to get excited about in horse racing these days.

There’s a cloud hanging over Southern California that, if the ball takes some unlucky but realistic bounces, could consume the entire North American sport as we know it. It’s heavy stuff and I deal with it enough in my day job. Instead, I’ll use this space to focus on something positive – namely, the idea of gratitude, with a focus on the Arabian racing industry.

I’ve been writing for Arabian Finish Line in some manner or another since 2010. That’s longer than my combined full-time stays with Thoroughbred Times (went bankrupt and shut down), Daily Racing Form (got laid off), and Paulick Report (so far, so good).

Arabian Finish Line has been there when I was out on the figurative street, and it’s been an outlet for the stuff rattling around in my brain when the other places I have written for couldn’t, or wouldn’t, give it ink. It’s helped develop my voice, both on the page and behind the microphone.

None of this happens if Don and Bobbi Patscheider don’t take a chance on a wet-behind-the-ears recent college graduate on the recommendation of the Arabian platoon at Mount Pleasant Meadows.

The first time I was ever on an airplane was because they bought me a ticket to attend the 2011 Darley Awards. When I moved from Central Michigan to Kentucky to start my job with Thoroughbred Times, they flew up from Florida to attend my going away party at MPM. The level of faith and trust they put in me to give me my own column and let me run wild with crazy ideas like having championship belts in horse racing (which should absolutely still happen) and writing silly haiku about the Darley Awards is something for which I’ll always be indebted.

Joe with Bobbi and Don Patscheider at Mount Pleasant Meadows

Joe with Bobbi and Don Patscheider at Mount Pleasant Meadows

Just as important to my journey in Arabian racing was the next Finish Line head honcho, Stephanie Ruff. I’m so proud of the work she’s done to bring the magazine and its brand into modernity after a sudden and unexpected handing over of the reins.

A key cog in that transition was the Arabian Racing Radio podcast, and I remain honored that Stephanie chose me to be her co-host. The level of confidence and discipline I gained as an on-air personality over the year of the show’s run has spilled over into everything else I do, and it was just fun to find new people to geek out with each time we had a new guest on the show. 

And, for crying out loud, Stephanie had enough trust in me to let me pen a two-part epic about a Wisconsin-bred blue-eyed horse that only ran twice at the lowest level the racing breed has to offer. Arabian Finish Line has always meant freedom for me, and that freedom has produced some of my favorite stories, both on the printed page and over the airwaves.

Staying on the podcast front, Jemmy Legagneur and Glenn Hebert were invaluable guides for me in my growth from an incompetent radio presence into a barely competent one. That’s a pretty good jump. Their patience with two writers with zero radio experience and glitchy equipment made the process a joy. You might not have heard their voices on Arabian Racing Radio, but without them, you’d have never heard ours.

I got into Arabian racing because the breed ran at one of my home tracks, Mount Pleasant Meadows. From nearly top-to-bottom, the track’s residents were willing – or at least tolerant – participants in my professional development, but the Arabian folks went the extra mile to make me a part of their world and give me opportunities to grow and succeed.

The Holst-Ruvalcaba clan won a lot of races in those days, and their purple and orange silks gave my photographs a nice “pop” when their horses did something worth photographing. Nicole and Rafael were constant supporters as I developed from my homemade blog, The Michigan-Bred Claimer, into my national-scale endeavors, helping me become about as active a member of Michigan’s Arabian racing community as I could be without actually laying my hands on a horse.

One of my favorite pieces of memorabilia on my office wall is the “2” placard that hung above the coinciding paddock stall at Mount Pleasant Meadows. There were only 10 to go around when the structure was torn down after the track closed, and Nicole saved that one for me. The track had a small population compared to most, but it meant a lot to those who endured it. When you have that shared unique experience, a simple board with a green “2” on it can carry a lot of weight. 

Joe with Quick and Rich at Churchill Downs

Joe with Quick and Rich at Churchill Downs

Of course, one of the greatest artifacts of Mount Pleasant Meadows, and perhaps of Michigan Arabian racing as a whole, is still in training.

I’ve beaten this story into the ground on the printed page and over the airwaves at this point, but watching Quick and Rich go from a first-out maiden winner at sleepy Mount Pleasant to a Grade 1 winner in North America’s richest race at Churchill Downs has been one of the most satisfying experiences of both my professional career and my personal fandom of horse racing. It can get easy to feel disconnected from racehorses when you cover them for a living because they tend to come and go so quickly, but the pride I feel in that horse gives me the kind of energy I haven’t felt since my own family’s horses ran.

I don’t consider myself a true “fan” of very many horses, the way some militant followers of the sport might feel about California Chrome or American Pharoah, but I absolutely feel that way about Quick and Rich, and will fight anyone that disagrees.

I’ll forever be grateful to Tom and Joyce Fritz for not only campaigning their star runner at the world’s highest levels, but for letting me be a hanger-on for the experience. The Fritzes were the subjects of my first feature for Arabian Finish Line, back before the start of my column, and it pleases me to no end that I’m still able to tell the stories of them and their horses nearly a decade later when so many other parts of my early days in racing have fallen by the wayside.

To the rest of Michigan’s Arabian racing platoon, scattered as you might be, I miss you guys. Nobody in the state deserved what ultimately happened in the end, but I wish things had gone smoother for you after the move to Hazel Park so you could have at least made to that point with the rest of the horsemen.

Looking nationally, Kathy Smoke is due gratitude for recommending me to join the Arabian Jockey Club’s Graded Stakes Committee. As someone whose connection to the Arabian racing breed is largely limited to this column, I never expected to even be in the conversation for a responsibility like this, but the experience has been invaluable for learning the nuts and bolts of the sport and the breed, and it’s been a pleasure interacting with the other people on the board.

I’ve gotta say, though, it feels pretty boss to tell my friends and acquaintances that I’m on the Graded Stakes Committee when the President of the U.A.E. Cup comes to Kentucky. Being the designated “guy who knows things about Arabian racing” among my group of turf writers never gets old.

Jonathan Horowitz and Ashley Gubich, thanks for having me on AJC Live when you’re in town and putting up with my corny jokes and shameless fandom of Quick and Rich. Your broadcasts are how guerilla marketing of the sport should be done, and I can’t wait to see what directions you take the show in going forward.

Thanks to my parents and grandma for being faithful subscribers to Arabian Finish Line and for letting me chase dreams instead of making me go out and get a real job, and to my wife Natalie Voss and cohort Nicole Russo for pinch-hitting with the column when pesky things like appendicitis get in the way.

If I’ve corresponded with you over phone, email, or in person for a column, story, or podcast interview, that piece of the page or sound file was there because you put it there, and I couldn’t have done it without you. I’ve gotten to tell some really cool stories in Arabian Finish Line over the past decade, and that wouldn’t be possible if the racing breed weren’t filled with really cool people.

This sport is my life. I have a house, a car, my wife, and my career because of it. The racing Arabian breed has played a vital role in that, and has given me something to get excited about since I placed my first bet on an Arabian named Fast Dance before I was even in grade school.

Now, perhaps more than ever, we need things to get excited about. If you’re reading this right now, thank you for doing that for me.

The Haiku Handicapper: 2018 Preakness Stakes

Joe Nevills, sales editor for the Daily Racing Form and columnist for Arabian Finish Line, analyzes the 2018 Preakness Stakes field in the form of Haiku; a Japanese poem of 17 syllables, in three lines of five, seven, and five.

#1 - Quip
Bypassed the Derby
To be Justify's wingman
Tough break for you, dude

#2 - Lone Sailor
When this colt last won,
Justify still had five months
Until his debut

#3 - Sporting Chance
His nose for trouble
Is negating the upside
He displayed at two

#4 - Diamond King
The local fodder
Cross-entered the Peter Pan
And should have gone there

#5 - Good Magic
Heart-filled runner-up
We'll learn how deep his tank goes
Off two huge efforts

#6 - Tenfold
He'll win some races
But this isn't one of them
Watch him this summer

#7 - Justify
Dominant Derby
Obscured by Zapruder-like
Health controversy

#8 - Bravazo
Outran projections
This crew did it with Oxbow
Encore's tough to see

Prediction
The tables are turned
Good Magic stuns Justify
One, eight fill super

Handicapping the Kentucky Derby with screencaps from The Office

You can go to any number of sources and find thoughtful, pertinent analysis of this year's Kentucky Derby field, from just about every angle imaginable. Instead, you've found yourself on the website of the guy who looks at the race via haiku. I save my thoughtfulness for the day job.

As such, I'm always looking to find new, unorthodox ways to analyze the Kentucky Derby field. In addition to The Haiku Handicapper, I broke down last year's Derby by assigning each runner an emoji to best suit their chances or characteristics. I had a few ideas kicking around in my head for this year's race, so I put up to a Twitter vote, and this was the result....

DaGfjdgVAAMeSja.jpg

So be it. The Office is one of my favorite shows, and thanks to the wonders of Netflix, I've watched most of the episodes enough times to recall the scenes that can apply to everyday life. If I come across a plasma screen TV, I know what to say before I even say it.

With this back catalog of Office quotes rattling around in my brain, I wanted to see if I could assign a fitting screencap and/or quote to each entry in this year's Kentucky Derby. No commentary, no context. Just the horse's name and a screencap. This turned out to be a bigger challenge than one might think, but it also produced some pleasant surprises.

Once you're done reading, be sure to share this post with your friends on WUPHF!

#1 - Firenze Fire

Firenze Fire.jpg

#2 - Free Drop Billy

Free Drop Billy.jpg

#3 - Promises Fulfilled

Promises Fulfilled.jpg

#4 - Flameaway

Flameaway.jpg

#5 - Audible

Audible.png

#6 - Good Magic

Good Magic.jpg

#7 - Justify

Justify.png

#8 - Lone Sailor

Lone Sailor.jpg

#9 - Hofburg

Hofburg.jpg

#10 - My Boy Jack

My Boy Jack.png

#11 - Bolt d'Oro

Bolt d'Oro.jpg

#12 - Enticed

Enticed.png

#13 - Bravazo

Bravazo.png

#14 - Mendelssohn

Mendelssohn.jpg

#15 - Instilled Regard

Instilled Regard.jpg

#16 - Magnum Moon

Magnum Moon.png

#17 - Solomini

Solomini.png

#18 - Vino Rosso

Vino Rosso.jpg

#19 - Noble Indy

Noble Indy.png

#20 - Combatant

Combatant.jpg

#21 AE - Blended Citizen

Blended Citizen.jpg

The Haiku Handicapper: 2018 Kentucky Derby

Joe Nevills, sales editor for the Daily Racing Form and columnist for Arabian Finish Line, analyzes the 2018 Kentucky Derby field in the form of Haiku; a Japanese poem of 17 syllables, in three lines of five, seven, and five.

#1 - Firenze Fire
Dinked and dunked for points
One turn appears his best fit
This is not his race

#2 - Free Drop Billy
Hard to get too jazzed
When a four-length margin is
Closest loss this year

#3 - Promises Fulfilled
The front of nothing
Still got him nothing last out
A tiring rival

#4 - Flameaway
Never ducks a fight
Prefer him in the Preakness
Love for the Queen's Plate

#5 - Audible
His resume's stout
But future glories could lie
Among the milers

#6 - Good Magic
The Eclipse winner
Did his job in the Blue Grass
Might need one more gear

#7 - Justify
Much-hyped wunderkind
Shrugged off the class jump with ease
Apollo's boots shake

#8 - Lone Sailor
Ran a lifetime best
Off optional claimer loss
Hard to picture it

#9 - Hofburg
Juddmonte Farms doesn't
Mess around breeding cheap speed
If not here, Belmont

#10 - My Boy Jack
The field's deep closer
In tough when the race's best
Have high cruising speeds

#11 - Bolt d'Oro
A stark lack of love
For a two-race hundred-plus
Beyer figure streak

#12 - Enticed
Truly blue-blooded
Sleeper vibes if you forgive
Bumpy Big A trip

#13 - Bravazo
Methinks the truth leans
Toward his ugly last effort
Than Risen Star shock

#14 - Mendelssohn
Top-dollar prospect
Harangued by travel headaches
Ceiling's still sky-high

#15 - Instilled Regard
Survived the bubble
He was there for a reason
Little momentum

#16 - Magnum Moon
Tallied the most points
Showed true colors at Oaklawn
Still a shade of green

#17 - Solomini
Never off the board
But has a nose for trouble
Can't have that luck here

#18 - Vino Rosso
Topped Wood like a pro
Collmus likes saying his name
Could be Todd's third string

#19 - Noble Indy
Not much to pick at
But not enough to enthrall
Keep low on tickets

#20 - Combatant
Always in the hunt
But enters the race seeking
His first stakes triumph

#21 AE - Blended Citizen
Summer potential
But he's just not fast enough
To challenge this field

Prediction
Down goes Apollo
The fervor is Justified
Then Bolt, 14, nine

The Haiku Handicapper: 2018 Pegasus World Cup Invitational

Joe Nevills, sales editor for the Daily Racing Form and columnist for Arabian Finish Line, analyzes the 2018 Pegasus World Cup Invitational in the form of Haiku; a Japanese poem of 17 syllables, in three lines of five, seven, and five.

#1 - Singing Bullet
Stronach Group's house horse
Hurtles into the deep end
The rail's nice, at least

#2 - West Coast
The 3-year-old champ
Stood with the best in this field
Win threat with clean start

#3 - Stellar Wind
Recent sale-topper
Lacks a flair for the big stage
Winless at distance

#4 - Sharp Azteca
A big-time miler
Will have to fight for the pace
At a new distance

#5 - Collected
Best from the west coast
Used his mulligan in a
Lackluster last out

#6 - Gunnevera
Honest, loves the track
Bound to sneak up for a piece
If the pace sets up

#7 - Fear the Cowboy
Local prep winner
Lost a listed stakes at Penn
Before that effort

#8 - War Story
If you don't succeed
Try, try again and again
He's inching closer

#9 - Toast of New York
The comeback story
Has a huge upside on dirt
If he's fresh, not stale

#10 - Gun Runner
New Horse of the Year
Stares down a tricky swan song
The long way around

#11 - Seeking the Soul
Hot at the right time
But he'll need another gear
To hang in this bunch

#12 - Giant Expectations
Topped the San Antone
With Collected tuning up
Low expectations

#13AE - Giuseppe the Great
Gained a ton of buzz
For his Jim Dandy second
Five races ago

#14AE - Game Over
The other Loooch horse
Can't get it done in Grade 3s
Wouldn't split the field

Prediction
Another torch-pass
West Coast usurps Gun Runner
Six, eight fill super

The Haiku Handicapper: 2017 Breeders' Cup Card

Joe Nevills, sales editor for the Daily Racing Form and columnist for Arabian Finish Line, analyzes each race of the 2017 Breeders’ Cup World Championships in the form of Haiku; a Japanese poem of 17 syllables, in three lines of five, seven, and five.

Friday, Nov. 3

Juvenile Fillies Turf
If the turf's not firm
No one touches Happily
Still tough if it's dry

Dirt Mile
Enters the fray fresh
With the Breeders' Cup's top jock
Mor Spirit looks strong

Juvenile Turf
A foreign horse wins
Canada's Hemp Hemp Hurray
In a small upset

Distaff
Stellar Wind looks primed
But winless at the distance
Let's go with Elate

Saturday, Nov. 4

Juvenile Fillies
Hasn't turned a hair
No reason that should change now
Moonshine Memories

Turf Sprint
If not Lady A
It's a jump ball for a price
But it's Lady A

Filly & Mare Sprint
Bella's a monster
Skye Diamonds might be faster
The monster gets caught

Filly & Mare Turf
Eli deserves it
Another Euro buzzsaw
Rhododendron blooms

Sprint
Drefong's greatest test
Comes not from competition
But the Del Mar gap

Mile
Tinkering no more
World Approval found his niche
And hits the sweet spot

Juvenile
A punctual break
Only spiked the win margin
Bolt is no shocker

Turf
Highland Reel boards planes
And runs big in global tilts
His U.S. streak grows

Classic
Asmussen's top Gun
Targets Baffert's battalion
And his aim is true

The Haiku Handicapper: 2017 Belmont Stakes

Joe Nevills, sales editor of the Daily Racing Form and columnist for Arabian Finish Line, analyzes the Belmont Stakes field in post position order in the form of haiku - a Japanese poem of 17 syllables, in three lines of five, seven, and five.

#1 - Twisted Tom
Paid for admission
No bad steps since turning three
We've seen crazier

#2 - Tapwrit
Off two troubled starts
But he fought back at Churchill
Live with a clean trip

#3 - Gormley
Not quick, but can grind
Could take home some purse money
Out of attrition

#4 - J Boys Echo
Star-making Gotham
Continues to get smaller
In rear-view mirror

#5 - Hollywood Handsome
Ran a distant fifth
In the Illinois Derby
You're still reading this?

#6 - Lookin At Lee
Proven check-getter
Likely peaked at the Derby
But rarely falls far

#7 - Irish War Cry
Using a classic
As a prep for the Haskell
How deep will he dig?

#8 - Senior Investment
Surprising Preakness
Puts his stock on the upswing
Distance causes doubts

#9 - Meantime
Local prep bridesmaid
Could get the pace to himself
Don't think he keeps it

#10 - Multiplier
Didn't show a lot
In class-climbing Preakness try
This test looks tougher

#11 - Epicharis
Japanese hopeful
Has the tools to make a dent
But his vet reports...

#12 - Patch
Outside post again
But he picks up Johnny V
Stands to take a piece

Prediction
If he's away clear,
Tapwrit will grind out a win
Seven, twelve follow

The Haiku Handicapper: 2017 Preakness Stakes

Joe Nevills, sales editor of the Daily Racing Form and columnist for Arabian Finish Line, analyzes the Preakness Stakes field in post position order in the form of haiku - a Japanese poem of 17 syllables, in three lines of five, seven, and five.

#1 - Multiplier
The next horse to turn
The Hawthorne/Preakness double
Wins at my expense

#2 - Cloud Computing
Making his fourth start
Recent efforts don't scream out
"I want this distance"

#3 - Hence
Middling Derby tilt
Still outshines most shooters here
Fourth seems about right

#4 - Always Dreaming
The Derby winner
Lived up to hype at Churchill
The win goes through him

#5 - Classic Empire
Derby rewards trips
Preakness rewards better horse
It could still be him

#6 - Gunnevera
Never been a fan
Of deep closers coming back
After bland Derby

#7 - Term of Art
His closest finish
In a meant-for-dirt stakes race
Is six lengths behind

#8 - Senior Investment
Promising future
Winning nice allowances
This seems ambitious

#9 - Lookin At Lee
Dynamite rail trip
Never seems to fool them twice
When the show moves east

#10 - Conquest Mo Money
Hard not to root for
But he seems to hit his wall
A few panels short

Prediction
Champ Classic Empire
Channels Lookin at Lucky
Four, ten fill the tri

The Haiku Handicapper: 2017 Kentucky Derby

Joe Nevills, sales editor of the Daily Racing Form and columnist for Arabian Finish Line, analyzes the Kentucky Derby field in post position order in the form of haiku - a Japanese poem of 17 syllables, in three lines of five, seven, and five.

#1 - Lookin at Lee
Closer from Oaklawn
Hasn't won since Ellis Park
Wait for softer fields

#2 - Thunder Snow
Global vagabond
Can run on any surface
But doomed by his post

#3 - Fast and Accurate
His best dirt Beyer
Would win a nice allowance
At a county fair

#4 - Untrapped
Minor check-getter
Vanished in last Oaklawn prep
This pool is too deep

#5 - Always Dreaming
High-upside prospect
Most dominant last effort
Feels like a bounce threat

#6 - State of Honor
Knows how to cash checks
By hanging on to placings
After ceding leads

#7 - Girvin
Leading point-getter
Grapples with ill-timed hoof woes
Don't expect Big Brown

#8 - Hence
Was his last that good
Or the rest that average?
Not buying the hype

#9 - Irap
Trainer Doug O'Neill
Didn't grow his Derby beard
All you need to know

#10 - Gunnevera
Will stage a late charge
Can scrap it out for a check
If the clouds don't part

#11 - Battle of Midway
Couldn't hang on in
Slowest Santa Anita
Derby in three score

#12 - Sonneteer
Fewer winning trips
Than stablemate Patch has eyes
That fact won't change here

#13 - J Boys Echo
Was his big Gotham
The true showcase of his class
Or an outlier?

#14 - Classic Empire
High-maintenance star's
Two toughest rivals could be
His head and the crowd

#15 - McCraken
A Blue Grass bummer
But Churchill Downs is his yard
Don't give up on him

#16 - Tapwrit
High-dollar yearling
Hype deflated at Keeneland
Excused or exposed?

#17 - Irish War Cry
Stellar Wood triumph
Makes his Fountain of Youth choke
Just so confounding

#18 - Gormley
Someone had to win
That chug-fest in his last prep
Is there one more gear?

#19 - Practical Joke
Standout 2-year-old
Couldn't pass flagging Irap
That's hard to ignore

#20 - Patch
Having just one eye
Not as big a handicap
As Apollo's curse

#21/AE - Royal Mo
Wrong side of bubble
But it's hard to get too jazzed
From pokey last start

#22/AE - Master Plan
Last horse in by points
Took an unorthodox route
To watch from the bench

Prediction
Home-track advantage
Carries McCraken home first
Then "War Cry," Tapwrit

Nevills a finalist for 2016 Media Sovereign Award

The Jockey Club of Canada is pleased to announce the finalists for the Media Sovereign Award categories for 2016.  The winner in each of the three media categories will be announced at the 42nd Annual Sovereign Awards on April 13, 2017 at Palais Royale in Toronto.

Judging for the 2016 Media Sovereign Award categories was performed by Professors of the Journalism Program at the School of Media Studies & Information Technology, Humber Institute of Technology & Advanced Learning, Toronto, Ontario, Canada.

LISTED IN ALPHABETICAL ORDER, THE FINALISTS ARE:

Writing Category:
· Steve Buffery – Trainer Marc-Andre Blouin and his horse don’t know the meaning of quit – Published Toronto Sun
· Joe Nevills – Giant Gizmo rocketing up the charts – Published Daily Racing Form
· Beverley Smith – Laurie Silvera’s Woodbine Paradise – Published www.woodbineentertainment.com

Digital Audio/Visual and Broadcast Category:
· Horse Racing Radio Network – 157th Queen’s Plate – Broadcast Woodbine Racetrack
· Talkin’ Horses – TH S3 EP13 – Broadcast on CTV
· Woodbine Entertainment Group – The Ricoh Woodbine Mile – Broadcast on TSN2

Photograph Category:
· Cody Gregory – Morning Workout – Published www.kingsvictorymedia.com
· Erika Rusnak – Dashing Through the Snow – Published Ontario Horse Racing
· William Wong – Wednesday Night Lights – Published Ontario Horse Racing

Everything I wrote and said during the 2016 Keeneland September yearling sale

The Keeneland September yearling sale is the North American Thoroughbred industry's bellwether auction, and one of the busiest times of the year for me. I think I can safely say this was my busiest one yet.

The auction itself is 13 days long (14 with the dark day in the middle), but the work on covering the sale begins a month ahead of the first hammer when the catalog is first released. All the studying of pedigrees and auction performance leads into the interviews and stories written for our Keeneland September preview insert prior to Labor Day weekend.

After Labor Day, I hit the barns at Keeneland as soon as horses arrive, inspecting as many of the high-end Book 1 offerings as I can. The process involves note-taking of my observations, shooting a photo of each horse I inspect, shooting a walk video if the horse is particularly interesting, and finally speaking to the consignor to bank quotes for live coverage and get insight on their stock and the market in general. At night, I compiled all of the information gathered during the day for scouting reports and other pre-written pieces.

Then the sale starts, and we go on from there.

Let's look at my Keeneland September by the numbers...
- 81 individual pieces of writing filed between print, online, and DRF Breeding Live.
- Over 120 yearlings inspected and photographed.
- 60 walk videos filmed and published online.
- 17 scouting reports on horses of interest in Book 1
- 12 of 13 session recaps written
- 3 radio interviews discussing the Keeneland September sale

I've compiled a list below with links to every piece I wrote, every video I shot, and every radio interview in which I participated regarding the 2016 Keeneland September yearling sale. The only thing I didn't include was my activity on Twitter, because there's only so much time in the day. Enjoy!

Preview pieces
- Keeneland September to provide true measure of yearling market
- Book 1 Hips to watch

Recaps
Day 1
Day 2
Day 3, Book 1
Day 4
Day 5, Book 2
Day 6
Day 7, Book 3
Day 8
Day 9, Book 4
Day 11, Book 5
Day 12
Final Recap: Overall sale, Day 13, Book 6

Stories/Features
Pope prominent figure during Book 1 sessions
Coolmore teams up with Bridlewood on $2m Tapit colt
Buyback of Believe You Can pays off for Jones
Madden makes splash in Keeneland September debut
Big Brown half-brother fails to meet reserve
Phipps Stable re-enters auction arena as buyers
- September a month of big strides for the Crosses

DRF Live Scouting Reports
Sept. 12
Hip 90: Tiznow colt out of Temple Street
Hip 103: War Front colt out of Treasure Trail
Hip 145: War Front colt out of Wine Princess
Hip 154: Tapit colt out of Afleeting Lady
Hip 166: War Front filly out of Aloof

Sept. 13
Hip 207: Tapit colt out of Believe You Can
Hip 226: Medaglia d'Oro filly out of Bubbler
Hip 289: Frankel colt out of Debonairre
Hip 309: Medaglia d'Oro colt out of Double Tapped
Hip 318: Bernardini colt out of Easter Bunnette
Hip 383: War Front colt out of Havre de Grace

Sept. 14
Hip 436: Tapit colt out of La Cloche
Hip 454: Scat Daddy colt out of Leslie's Lady
Hip 514: Street Cry colt out of Morena
Hip 529: Pioneerof the Nile colt out of My Tina
Hip 537: Medaglia d'Oro filly out of Nereid
Hip 561: Tapit colt out of Ponche de Leona

Walker Hancock Q&A
DRF Breeding Q&A with Claiborne Farm's Walker Hancock (original interview for print)
On marketing first-year stallions
- On starting a new stallion
- On what excites him most about the industry
- On what concerns him most about the industry
- On growing up in the Claiborne system
- On the importance of the farm's daily tours
- On his influences
- On what surprised him most about the position
- On the direction of the industry

Other DRF Breeding Live items
Sept. 12
Global catalog for #KeeSept, how will buyers respond?
Five things to watch for Book 1
Predicting the sale-topper
Buyer/consignor quotes from the $1m Hip 48, by Medaglia d'Oro
Godolphin's John Ferguson discusses $900k War Front filly

Sept. 13
Things to watch for today's session
Buyer/consignor quotes for the $900k Tapit/Believe You Can colt
Buyer/consignor quotes from the $900k War Front/Don't Trick Her colt
Crupi takes new topper, $1.2m Tapit colt

Sept. 14
Buyer/consignor quotes for the $3m Scat Daddy colt
Four Star Sales' Kerry Cauthen on the $1.3m Hip 476, by War Front
Half to Rachel Alexandra to Let's Go Stable for $400k
Bridlewood Farm/Coolmore partner on $2m Tapit colt
Mandy Pope discusses late-session seven-figure buys, status of Havre de Grace colt

Sept. 16
Looking back on the five things to watch in Book 1
Buyback rate deja vu to start Book 2
WinStar Farm, China Horse Club team up on $500k More Than Ready colt
Buyer/breeder quotes from the $1-million Hip 845, by Curlin
Mark Casse talks $625k Hip 972, by Pioneerof the Nile

Sept. 17
WinStar Farm, China Horse Club strike early for $400k Speightstown colt
D.J. Stable buys $450k session-topper by Uncle Mo
Buyer/breeder quotes from the $650k Ghostzapper colt
Buyer/consignor/breeder quotes for the $750k Uncle Mo colt, Hip 1320

Sept. 18
Seeing the real market in Book 3 and beyond
Tom Haughey of PTK discusses $700k Pioneerof the Nile colt

Sept. 19
Mike Ryan sets pace with $485k Curlin colt
Bloodstock agent Ben Glass talks $600k Hip 1928, by Bernardini

Sept. 20
Checking in on the second-crop sires
Monticule to race $200k RNA half-brother to Big Brown

Sept. 21
Bloodstock agent Mike Ryan lands $200k Gemologist colt
Silverton Hill buys Majestic Warrior colt for $225k

Sept. 22
- Buyer/consignor quotes for the $210k Into Mischief colt, Hip 2383

Sept. 23
- $100k Point of Entry colt leads trade on Friday

Walk videos
- Click here to watch walk videos for 60 notable yearlings in Book 1

Radio interviews
- At the Races with Steve Byk: Sept. 13. 2016 (Tune in 38:19 - 58:32)
- Winning Ponies with John Engelhardt: Sept. 15, 2016 (Tune in 16:08 - 31:52)
- At the Races with Steve Byk: Sept. 27, 2016 (Tune in 42:25 -1:05:02)

Phew.

Nevills, Russo finalists for Media Sovereign Award

The Jockey Club of Canada is pleased to announce the finalists for the Media Sovereign Award categories for 2015.  The winner in each of the three media categories will be announced at the 41st Annual Sovereign Awards on April 8, 2016 at Woodbine Racetrack in Toronto.

Judging for the 2015 Media Sovereign Award categories was performed by Professors of the Journalism Program at the School of Media Studies & Information Technology, Humber Institute of Technology & Advanced Learning, Toronto, Ontario, Canada.

Listed in alphabetical order, the finalists are:
Writing Category:
Joe Nevills and Nicole Russo – Smart Strike Remembered – Published Daily Racing Form
Curtis Stock  – A Love of Horses – Published Edmonton Journal
Paul Wiecek  – Turbulence at the Track –  Published Winnipeg Free Press

Digital Audio/visual and Broadcast Category:
Horse Racing Alberta – 2015 Canadian Derby – Broadcast on Canadian Television Network
Darryl Kaplan & Brittney Mayotte  – So God Made a Racehorse – Broadcast on Standardbred Canada & Canadian Horse Racing Hall of Fame
Talkin’ Horses – Horses So2 E17 – Broadcast on CTV2

Photograph Category:
Michael Burns Jr. – Early Morning – Published Woodbineentertainment.com
Hayley Morrison  – Gigantic Breeze – Published Ontario Horse Racing
Chris Young  – Early Morning Groom – Published on globeandmail.com

Winning Ponies Welcomes back DRF Sales Editor and Breeding Correspondent Joe Nevills and Writer and Handicapper Bob 'Railbird' Roberts

I made an appearance on my good friend John Engelhardt's "Winning Ponies" internet radio show last Thursday to discuss the weekend's Claiming Crown races, the Kentucky Derby Sire Future Wager, and other topics pertaining to the interplay between racing and breeding.

John and I go back to my days as a Thoroughbred Times intern when we were first introduced during a sojourn to the dearly departed River Downs, where he worked as director of publicity and public relations along with taking shots for the track photographer, Pat Lang. He's the kind of person every racetrack needs working for them - always with a story to tell or something cool to show you, and willing to give some out-of-state kid with a blog and a camera the run of the place. John has been one of my longest-running supporters, and it's always a pleasure to appear on his show.

This marked my fifth appearance on "Winning Ponies," and I'm already looking forward to the next time I get the call from John to come on again.

Here's the promo release...

"Joe Nevills of Daily Racing Form breeding is our first guest. Churchill now has a new futures bet where you pick the sire of the winner of the next Kentucky Derby. We will address that and other breeding trends. Since last on our show Joe is no longer with the Thoroughbred Times but with the Daily Racing Form as staff writer on breeding. He will also give us some insight on his new position at the DRF.

"Bob "Railbird" Roberts is our guest handicapper. Based in Ohio we will look at two $75,000 Stakes in his backyard at Mahoning Valley being the Joshua Radosovich and Bobbie Bricker Memorials. Gulfstream Park opens its gates with the Claiming Crown Series headed up by the $200,000 Claiming Crown Jewel. We will also take a look at the $125,000 Claiming Crown Tiara."

Click here to listen to the program. My segment goes from 15:44 to 31:10.

Nevills Derby Pedigree Analysis Wins Rippey Award for Handicapping Media

Joe Nevills, the Daily Racing Form’s sales editor & breeding correspondent, applied his beat to Kentucky Derby handicapping and won the second annual Ron Rippey Award for Handicapping Media for his “Who is Bred for the Distance” published April 30, 2015.

Brisnet.com will present Nevills with the Rippey Award and $1,000 prize at the National Turf Writers And Broadcasters dinner on Wednesday, October 28, at The Marriott Griffin Gate in Lexington.

Two entries received honorable mentions from judges Mike Curry and Greg Hall: Lenny Moon for “Becoming a Better Horseplayer Part 2: Mastering Money Management” that appeared on his Equinometry blog, and Craig Milkowski for “View Turf Racing in a New Light” that appeared in the Horseplayers’ Association of North America newsletter. The HANA newsletter also published last year’s winner, “Statistics and Garbage” by Barry Meadow.

"It's an incredible honor to be selected for this award,” Nevills said. “We have been working hard to bridge the gap between bloodstock and handicapping with our coverage at DRF Breeding, and the Average Winning Distance pieces during the Triple Crown races have been a big part of that. It has been rewarding to see the numbers I've put together not only get recognized by the Ron Rippey Award judges, but also find a few live runners at a price over the years, as well."

The Ron Rippey Handicapping Media Award is open to any article, blog post, or video pertaining to a handicapping topic published (in print or online) in the past year.

“Handicapping horse races is both an art and a science, and the ability to produce compelling content about the topic is a specialty that deserves recognition,” said Brisnet.com Director of Marketing Ed DeRosa. “We not only want to acknowledge the good work done in this regard but also encourage people to continue to produce this type of content, and who better to honor than successful handicapper and newspaper columnist Ron Rippey.”

Rippey won the 2006 National Handicapping Championship, was a 10-time qualifier for the prestigious annual event, and a beloved regular on the contest circuit. He also wrote about racing and made picks for the Newark Star-Ledger and contributed Spotlight Selections to Brisnet.com for major race days. Rippey died last year.

“Ron’s enthusiasm for both playing the game and writing about it was infectious,” DeRosa said. “He wanted to beat you, but he wanted everyone to have fun, too, which is the essence of a good day at the races.

For more information on attending the NTWAB dinner, visit NTWAB.org.

Questions and Answers

Let's face it. Nobody cares what I have to say. 

In most cases, that's the point. Unless it's a personal narrative, a story is supposed to be about a subject and what that person is doing. A writer can bring life to the prose, but ultimately, most people are reading the story for the subject, not the byline. They put the rockstar on the cover of Rolling Stone, not the reporter.

That's why I enjoy Q&As, both as a reader and a writer. Every interview I do for a story is ultimately a Q&A, and that simple format cuts out the middleman toward presenting the subject's words and ideas directly to the audience.

As a reporter, I can afford to get more conversational in my interview, knowing that's the format of the story, and I don't have to worry about making it fit into a greater whole. The interview itself is the greater whole.

You can give your subjects room to elaborate with their answers without having to jam their words into the middle of a story as a quote. Sometimes, the questions you have are just so scattered, but equally relevant, that they wouldn't fit into a single story. Every Q&A should have a narrative reason for happening, but once you hit "record," whatever happens next becomes the narrative.

As a reader, the Q&A format is easy to digest, and the way it gets split up makes it appear less intimidating to read, even though it's probably as long as a normal story, if not longer. Also, I feel like I'm getting the information straight from the subject, unfiltered (even if it isn't). A good Q&A should ask the questions someone picking up the story would ask if given the chance, and hopefully some they wouldn't have thought to ask, but wish they had.

Below is a sampling of some Q&As I have been a part of over the years with some of the horse racing industry's most interesting and influential people.Click on the links in bold to read each interview.  

Duncan Taylor - Taylor Made - Daily Racing Form, September 2015
The head of Taylor Made, an industry leader in sales, stallions, and boarding, talks about his unforgettable year - American Pharoah, California Chrome (and his fans), and Unbridled's Song - and the Taylor Made philosophy. A part of DRF Breeding's 2015 Keeneland September yearling sale preview issue.

"You just never know where the [next great] horse is coming from. I've had a thousand people ask me 'Did you know?' And I tell people that we didn't grade [American Pharoah] as the very best horse on the farm, but he was in the top 20 percent...If you could be a breeder and know you're going to get all B-pluses, you'd be the happiest person in the world." 

Antony Beck - Gainesway - Daily Racing Form, September 2014
Conducted as part of the 2014 Keeneland September preview package. The owner of Gainesway talks Tapit, the yearling market, and comparisons with different jurisdictions and commodities.

"In both wine and horses, quality always sells."

Jeb Hannum - Pennsylvania HBA - Daily Racing Form, September 2014
An interview with the former executive secretary of the Pennsylvania Horse Breeders Association, assessing the state of the Pennsylvania-bred program as he prepared to leave his position.

"Clearly, there needs to be more promotion of live racing. It's just not done very much. It's frustrating to see, and that's often the fault of the tracks. They have plenty of marketing resources for table games and slots, but they just simply aren't promoting the racing product, and I think they really need to get behind that." 

Mandy Pope - Whisper Hill Farm - Daily Racing Form, January 2014
One of the most prominent high-end buyers of recent years, Pope discusses her high-profile purchases and the feeling of signing that big ticket.

"The greatest thrill and the reason for all of this is to actually put your hands on the horse, to be in the presence of the horse. It's the horse. That's what it's about. The parties are great and fun, but just the excitement of being a part of such a wonder creature."

Nick Nicholson - Keeneland Association - Thoroughbred Times, November 2011
Then the president of Keeneland Association, Nick Nicholson reflected on an eventful and successful Fall 2011 meet.

"I was in the paddock one day [for the Grade 1 Dixiana Breeders' Futurity on October 8], and I saw the saddle towel No. 16 come by me. I thought to myself, 'Boy, you don't see that saddle towel very often in this country.'"

Richard Rettele - Jockey/Trainer - Midwest Thoroughbred, September 2010
A talk with prominent Midwest jockey and trainer Richard Rettele in the midst a riding hot streak in the weeks surrounding his 70th birthday.

"I just like the competition. I like the action. I like the competitive spirit of horses. You get to really liking a good horse. Believe me. When one of those horses runs hard and gives you everything he's got, you get to liking him."

Tom Miscannon - "Racetrack Bucket-Lister" - The Michigan-Bred Claimer, July 2010
Chatting with a world traveler during a visit to his 284th racetrack, Mount Pleasant Meadows, about the places he's been and the lengths to which he's gone to pursue live racing.. He has since taken that number over 300.

"You can have Grade 1 horses, but if everybody's bad to you or the place is a dump and there's trash all over the place, then it's really pointless. I'd rather go watch $2,500 claimers if the track is nice and people treat you well."

Making Claims - January 2014


Horse racing is a game of contemplation.

The breeder sits at the table for hours studying pedigrees and how they comingle to find the best mate for his mare. The buyer examines the pages of the sale book and notes from physical inspections before raising his hand to bid. The bettor looks over the program to make the most profitable selection at the racetrack.

Even among the static of outside distractions – a bustling crowd, an auctioneer, inclement weather - there is a certain serenity to the studiousness of horse racing. One might even call it zen-like.

An ever-growing sentiment among the movers and shakers of the horse racing industry is the concern over empty space in their facilities. They bemoan the sections of empty grandstands or an apron spotted with racegoers as a sign of dwindling attendance, and they are not wrong. Many of these tracks were built to hold a certain capacity crowd that many years ago would have jumped at the chance to cram into those bleacher seats, but no longer do.

The answer some are coming back with to combat this problem is to shrink, by building smaller grandstands or otherwise funneling the existing patrons into smaller areas until it gives the appearance of a crowd. It is easier to advertise a track as a happening place with a party atmosphere if it looks like there are actually people there to party with.

I understand this sentiment, but if the idea is widely adopted, it could jeopardize one of the one of the greatest perks horse racing has over other professional sports – the ability to be left alone.

This is not to say that every track should become a ghost town – far from it. Without people to watch the races, the sport dies. But what sets horse racing apart from its contemporaries is that it can be enjoyed on an entirely different level when the world around you is quiet.

We’ve all been there. A faraway place on the rail on a nondescript weekday card where the closest human being is the fellow driving the water truck on the track. This is a special place. One where an attentive racegoer can focus and listen.

This is where you hear the starter repeatedly remind the riders in the gate that they have to go twice around in a two-mile race. This is where you hear the rumble of hooves hitting dirt or slapping mud and universal language of a rider urging his or her mount into the final furlong.

This is where you hear those same riders give their excuses and advice to trainers following the race amidst the rush of air entering and exiting their taxed mount’s lungs, while you keep a small mental note for when the horse shows up again. NBC spends thousands of dollars wiring the races for sound during their telecasts, when the right spot on the rail on the right day can get it all for the price of admission.

Perhaps most importantly, this is where you can be left alone with your thoughts – Look through the program uninterrupted, get a feel for how a horse looks on the track beyond the few seconds they’re displayed on the simulcast feed, look up at what is probably a massive structure behind you, soak in whatever nature has given you that day, and perhaps imagine they’re holding the races just for you. That’s about as close to a state of zen as it gets in this game.

Maybe that’s why I’m such a fan of small tracks. I love Keeneland, but the opportunity to achieve that level of connection with what’s happening on the track is nearly impossible amidst the throng of 10,000 to 20,000 other fans on the apron – most of them drunk, some of them disrespectful. Even as someone with a media credential to go just about wherever I want, I still find the saturated crowds intimidating at times. Zen can be found, but it’s a long, hard journey to find it.

There is no Nirvana to found on Kentucky Derby day, where the crowd is bigger, louder, drunker, and meaner; and you couldn’t throw a Frisbee and hit the closest horse. A small part of me almost pities the ones who use this race as a starting point in the sport, especially if their first racing experience is attending it live, because what happens on the dirt between the rails is in such disconnect with everything that surrounds it.

Ironically, that same venue can be a wellspring of that solitary enlightenment most any other day of a live meet. Sitting at the clubhouse turn of Churchill Downs’ cavernous grandstand just about any other day of the year outside of Derby weekend, one can hear the hooves and the whips and the jockeys chattering at each other as they head back to unsaddle. Where there was once chaos, there is then peace. It’s pretty cool.

Racing needs a crowd, and there’s no debating that. But there needs to be room, too, for the introvert. Crowds can be fickle, and will move on to the next shiny object that catches its eye without warning. When that happens, those seeking racetrack enlightenment will be the ones still on the rail, focusing, studying, experiencing in the peace and quiet where they do their best work.


Making Claims - October 2013


The topic of cloning has emerged as a hot-button issue in the horse racing world this year, due to the ongoing legal battle to admit clones into the American Quarter Horse Association registry.

At the time this was written, a West Texas U.S. District Court had ruled against the AQHA, requiring the breed organization to accept clones and allow them to participate in all AQHA-sanctioned events, including racing. The AQHA plans to appeal the ruling.

Meanwhile in Northern California, the great race mule Sarah Nelson drew national attention to the state’s county fair circuit over the summer when she squared off against her clone, Lil Sarah. Striking a blow for originals everywhere, Sarah Nelson defeated her doppelganger, who finished third.

Both Quarter Horses and mules are racing breeds that moved beyond the strict “live cover” guidelines of the Thoroughbred breed’s Jockey Club and ventured into artificial insemination (AI) and embryo transfer (ET); innovative ways to breed horses without both parties having to be in the same breeding shed. As such, both registries have taken the next step into allowing cloned competitors, or will be dragged kicking and screaming into accepting them until the legal process sorts itself out.

This got me thinking about the Arabian breed – one that allows AI and ET. As a highly international breed, those processes have helped Arabian racing bloodlines have a bigger reach than they ever would if limited to strictly live cover matings.

At the same time, the breed is also through the proverbial looking glass in regards to setting a precedent for science to intervene in the natural breeding process. Once that line is crossed, it becomes difficult to exclude new methods such as cloning, as Quarter Horse breeders are now finding out.

The Arabian Jockey Club does not currently allow cloned horses to compete, and that does not look to change anytime soon. However, as breeding technology advances and courtrooms begin setting precedents on the subject, there could come a time when the Arabian racing community is faced with the possibility of having to admit cloned horses.

Where do I stand on the cloning of racehorses? I find it to be a fascinating case study in the “nature vs. nurture” debate, sure, but I am generally opposed to the idea. What makes our athletes special is that there is only one of them, and it takes catching lightning in a bottle to get that one. I have no moral qualms with the practice, but when it comes to the purity of the sport, it just feels like cheating.

With Arabian racing in such a unique position, I wanted to get the opinions of industry leaders on the topic to get a feel for where the breed stands and where it is headed in regards to cloning.

To get that perspective, I queried three of North America’s leading breeders of racing Arabians:

Kathy Smoke, Mokee Arabians
Todd Moak, Todd Moak Proven Bloodstock/Burning Sand International
Alan Kirshner, Cre Run Farm

Each has skin in the game on multiple levels and brings a unique perspective to the issue on a national and global scale. Following is what they had to say regarding the subject of cloning in Arabian racing.

1) If the issue were brought forth, where would you stand on the registration of cloned Arabian horses, especially with regards to racing?

Kathy Smoke: Absolutely do NOT want cloned Arabian horses for any discipline.

Todd Moak: I would not support the registration of cloned Arabian horses in any regard.

Alan Kirshner: I am against the registration of cloned Arabian horses to be used for cloning.

2) Do you think the current situation with the AQHA will have any bearing or precedence that might ripple into the Arabian registries? 

KS: Absolutely. We ended up allowing ET because the Quarter Horse industry lost in court and the Arabian registry knew it didn’t have the funds to fight this issue if anyone in the Arabian industry brought this to the table.

Also, we can’t even regulate the number of ET’s per year. That would hold true for cloning, sad as it is. There are countries that have regulated the number of ET foals from the same mare that can be registered for racing purposes.

This type of breeding and/or cloning benefits the wealthy who can afford it. This stacks the deck against the small breeder who can only afford one AI or natural cover per mare per year.

TM: I do not think the situation with the AQHA will likely have any bearing or influence. Different breeds have maintained separate standards and accepted practices. While all breeds have common interests to some extent, I don’t think one registry’s decision should influence another, but more the membership of its constituents. 

AK: The situation at AQHA will have a bearing on all registries that allow the use of shipped semen. It all began with the ability to have more than one foal out of the same mare in the same year, the Quarter Horse association lost on that and the other breeds except the Thoroughbreds chose to accept. I think the reason the Thoroughbreds can get away without it is the fact that they require the mare and the stallion to have natural mating.

3) Quarter Horse and mule racing both allow artificial insemination and both now allow cloning, or are at least seriously facing the possibility of it in their registry. Is cloning the next logical step in breeding once a registry has moved past live cover and into AI?

KS: Cloning is NOT AI. I was for the use of AI especially when trying to preserve a bloodline that was being lost. Cloning is messing with nature; and who can tell what cloned genetic DNA will do, down the line, to our horses? I would not breed to, or own, a cloned animal of any kind. Go to Wikipedia for a short review of Dolly [the first cloned sheep] and her life. Raises many questions. There’s tons of info out there if one wants to get educated on “cloning”.

TM: I do not think that cloning is the next logical step to AI. Further, I do not think that cloning is breeding. It is a totally different means of reproduction. The practice of AI benefits the majority of Arabian breeders for its practicality in access to stallions in our country and worldwide. It is a method of breeding that potentially is beneficial to all breeders. 

AK: This doesn’t answer No. 3 but I do not believe that cloning will necessarily produce an athlete with the same athletic ability as the original horse. It may look like the horse but it does not necessarily have the other things that make up a champion. 

I think that you would find that full siblings are genetically closer to each other than a clone to the horse. We all know that full brothers and sisters are not automatically good athletes.

4) Do you see cloned Arabians on the racetrack as a realistic possibility sometime in the future?

KS: If the courts continue to treat “livestock” as they do “securities” and allow this type of law based on “fair trade” it may be inevitable.

TM: Cloned Arabians on the racetrack are a possibility, as the science is available. However, I doubt that this will become reality as I do not think the registry would approve it. As most know, even if the registry approved, the entities that regulate racing would also have to allow these horses into competition. So I think the possibility is very remote.

AK: The cost of cloning and the cost of embryo transplants is very expensive and no one is their right mind would do this in today’s Arabian racing market. A few years ago Deb [Mihaloff] and I did embryo transfers. While we only did five or six, we do not feel that these transfers were as strong as those that were carried naturally by their mother. This definitely is not a scientific fact, but our gut feeling.

5) If cloning were allowed for racing Arabians, how would you react? How would it affect your business? 

KS: When and if that day comes, I’ll quit breeding and racing Arabians completely. Kudos to The Jockey Club (Thoroughbreds) for holding fast. They must have known that moving to AI would be the slippery slope it has now proven to be.

TM: My reaction would not be favorable. As a breeder that has created some very successful runners, I think it could negatively affect my business, because the buyers of top runners around the world might invest in cloning of proven successes instead of buying other horses bred for the international market.

While I could potentially create clones from my top stallion, broodmares and runners, which could benefit my business financially, this would not be the case for the industry participants as a whole, which would be detrimental the industry.

AK: It doesn’t make any difference to me if they clone them or not. I have chosen to stay in the business even though I question the authenticity of some horses who claim to be full blooded Arabian horses. I would certainly not change my mind if they decided to clone.

6) Any other thoughts on the topic of cloning, especially in racing, that you would like to share?

KS: I understand that nurture over nature plays a large part in the development of any animal whether it results from natural cover, AI, or ET. However, ET is completely different from cloning.

I am 100% against cloning for purposes other than to preserve a species (not bloodline) that is becoming extinct. Even in this scenario this should only be done under the guidance of qualified scientists in a very controlled environment. I don’t even want to think about using cloning to bring back extinct species and yet I’ve read that is one use of cloning that scientists propose.

TM: As far as my knowledge of the success of cloning of mules, the performance of the clones has not equaled the donor. I agree with opinions I have read on the subject – science can recreate the physical specimen, but cannot duplicate other factors of great influence, such as mind and spirit of the clone and environmental factors.

Cloning, in my opinion, takes away from the art of breeding. As all breeders know, the success of a runner created from ones own ideas, care and management, is very satisfying. To duplicate by cloning is not in the same realm. The ability to create a clone is a matter determined by having the financial means to do it. This would create more disparity in the breeding community. It would discourage participation in breeding and racing.

Though the goal would be long term, the creation of a clone reaches further than the racing career of the cloned horse. Cloning could be practiced on a very successful gelding to recreate that individual as a stallion. Fillies could be cloned for breeding, in an attempt to recreate a great broodmare. While I respect the science, I think that the use for Arabian racing would cause harm to our industry.